'Samantha Crawford's Agathe displayed impressive Wagnerian credentials. On this showing her sweetly voluminous soprano should be soon graduating to Elsa.'
‘Samantha Crawford was a star turn as the Countess, singing both her arias with Mozartian colour and grace. She was excellent.’
'Samantha Crawford switched from a classy Rosalinde with cut-glass vowels to the mysterious Hungarian Countess and delivered her csárdás with style.'
'A flawless ensemble...Samantha Crawford’s Mrs Coyle, crystalline of tone and diction.'
'The most impressive was Samantha Crawford, whose fine cut soprano brought singing of class to the role of Mrs. Coyle.'
‘In the Libera Me there was very assured singing from Samantha Crawford in the tremendous climax of the work with her climbing phrase to an impressive top C... All musical forces tackled this theatrical work with great commitment and integrity.’
'One comes to events like these listening out for stars of the future, and several of the voices impressed...with Samantha Crawford making the most of her central role as Popelka the village beauty.'
'Samantha Crawford, blond bombshell Agathe, holds on to hope even in the face of horrible dreams foreshadowing her death.'
'Samantha Crawford made a deliciously scheming Countess, her superficialities belying her cunning. “Dove sono i bei momenti” was sensitively executed and a particular highlight of the evening...it was a bold and enjoyable performance, and credit is due both to the production staff and the singers for making it so visually, musically and dramatically exciting.'
'Samantha Crawford leads a strong, vividly characterised cast, in a drama piquant of scoring and delicious Czech satire, absurdity and poignancy.'
'Samantha Crawford elegant, as Coyle’s wife.'
'Samantha Crawford charmed in "Schmerzen," and "Einsam in trüben Tagen," before giving herself to a moving and passionate "O Sachs! Mein Freund."...Sir John Tomlinson picked out Crawford's 'radiant' Eva.'
'There are no weak links anywhere in the cast, either, though Ross Ramgobin’s thoughtful Owen, Jonathan Summer’s sympathetic Spencer Coyle, Samantha Crawford’s humane Mrs Coyle and Janis Kelly’s Mrs Julian are particularly notable.'
'The performance was wonderful. Semyon Bychkov gave a concentrated reading which was attentive to the architecture of the work and drew excellent performances from orchestra and choir, and the Blumenmädchen…without doubt, the public recognized that this was a performance of the top international level.'
'Semyon Bychkov drew some electrifying playing from the orchestra of the Teatro Real, which bordered on the transcendental in the final act...With full-blooded singing from the Real’s Chorus and a mellifluous bevy of Blumenmädchen, this was a memorable performance.'
'As Mrs Coyle, Samantha Crawford’s clear, graceful soprano did provide a warm, compassionate counter-hue to her husband’s assertiveness, and Crawford’s characterisation was convincing and rounded.'