IMG_0068 copy.jpg
IMG_0068 copy.jpg

Reviews


SCROLL DOWN

Reviews


 

Samantha Crawford was a star turn as the Countess, singing both her arias with Mozartian colour and grace. She was excellent.

OPERA

IMG_0834.jpg

'Samantha Crawford's Agathe displayed impressive Wagnerian credentials. On this showing her sweetly voluminous soprano should be soon graduating to Elsa.'

opera

 

 

'Expectations were high for what turned out to be a truly engaging evening of superb Wagner singing. Stuart Skelton ended the concert (ably partnered by Samantha Crawford singing Sieglinde) in the role of Siegmund from Act 1 of Die Walküre. It felt as if they had been rehearsed in the roles together for a major production as the singing was outstanding.'

limelight

 

'Samantha Crawford switched from a classy Rosalinde with cut-glass vowels to the mysterious Hungarian Countess and delivered her csárdás with style.'

OPERA

 

'A flawless ensemble...Samantha Crawford’s Mrs Coyle, crystalline of tone and diction.'

THE ARTS DESK

 

'The most impressive was Samantha Crawford, whose fine cut soprano brought singing of class to the role of Mrs. Coyle.' 

OPERA

 

'One comes to events like these listening out for stars of the future, and several of the voices impressed...with Samantha Crawford making the most of her central role as Popelka the village beauty.'

BACHTRACK

 


'Samantha Crawford, blond bombshell Agathe, holds on to hope even in the face of horrible dreams foreshadowing her death.'

classical source

 
IMG_9995.jpg

'Samantha Crawford made a deliciously scheming Countess, her superficialities belying her cunning. “Dove sono i bei momenti” was sensitively executed and a particular highlight of the evening...it was a bold and enjoyable performance, and credit is due both to the production staff and the singers for making it so visually, musically and dramatically exciting.'


BACHTRACK

 

 


'Samantha Crawford leads a strong, vividly characterised cast, in a drama piquant of scoring and delicious Czech satire, absurdity and poignancy.'

THE TIMES


'Samantha Crawford elegant, as Coyle’s wife.'

FINANCIAL TIMES



 

'Samantha Crawford charmed in "Schmerzen," and "Einsam in trüben Tagen," before giving herself to a moving and passionate "O Sachs! Mein Freund."...Sir John Tomlinson picked out Crawford's 'radiant' Eva.'

wagner news

 

'There are no weak links anywhere in the cast, either, though Ross Ramgobin’s thoughtful Owen, Jonathan Summer’s sympathetic Spencer Coyle, Samantha Crawford’s humane Mrs Coyle and Janis Kelly’s Mrs Julian are particularly notable.'

THE STAGE

 

'The performance was wonderful. Semyon Bychkov gave a concentrated reading which was attentive to the architecture of the work and drew excellent performances from orchestra and choir, and the Blumenmädchen…without doubt, the public recognized that this was a performance of the top international level.'

LA RAZON

 

'Semyon Bychkov drew some electrifying playing from the orchestra of the Teatro Real, which bordered on the transcendental in the final act...With full-blooded singing from the Real’s Chorus and a mellifluous bevy of Blumenmädchen, this was a memorable performance.' 

MUSIC OMH

 

'As Mrs Coyle, Samantha Crawford’s clear, graceful soprano did provide a warm, compassionate counter-hue to her husband’s assertiveness, and Crawford’s characterisation was convincing and rounded.'  

SEEN AND HEARD INTERNATIONAL