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Overview


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Overview


 

Samantha Crawford is fast gaining a reputation as a singer "whose fine cut soprano brought singing of class" to her roles (Opera). She has performed extensivley in operas and concerts across the UK and Europe. Samantha is the recipient of numerous prizes and awards, including First Prize at the 2016 Wagner Society Singing Competition and the Golden Medal with Honours at the 2017 Berliner International Music Competition.

 
 

Samantha Crawford was a star turn as the Countess, singing both her arias with Mozartian colour and grace. She was excellent.

Opera

 

Profile

British Australian soprano Samantha Crawford was awarded the Golden Medal with Honours at the 2017 inaugural Berliner International Music Competition, in 2016 won First Prize and the President's Prize at the Wagner Society Singing Competition and was a Royal Philharmonic Society Chilcott Award finalist. Critics have praised her performances as a singer 'whose fine cut soprano brought singing of class,' (Opera), 'leading a strong a vividly characterised cast,' (The Times) and bringing 'a most complete portrayal,' to her roles (Financial Times).

In the 2014/15 season Samantha performed the role of Mrs. Coyle Owen Wingrave to critical acclaim for her debut at the Aldeburgh Festival and Edinburgh Festival, under Mark Wigglesworth, the title role in Suor Angelica at Théâtre municipal de Fontainebleau, Fiordiligi Cosi Fan Tutte for Scottish Opera and Miss Jessel The Turn Of The Screw for Glyndebourne covers, directed by Jonathan Kent. Highlights of the 2016/17 season include her debut at Teatro Real Madrid as a Blumenmädchen in Claus Guth's Parsifal, under Semyon Bychkov, also released on DVD for Sony; Agathe Der Freischütz for Blackheath Opera, Dido Dido and Aeneas with the Brandenburg Sinfonia and debut at the Bayreuther Festspiele in concert. She will also perform Mendelssohn’s Elijah and Paulus, and Dvořák's Stabat Mater at Christchurch Priory, Elijah at Gloucester Cathedral, and Strauss' Vier letzte Lieder at St George Hanover Square, St. Sepulchre and Blackheath Halls.

Further roles include Erste Dame Die Zauberflöte and Donna Elvira Don Giovanni cover at Garsington Opera, Rosalinde Die Fledermaus, Contessa Le nozze di Figaro, Frau Fluth Die Lustigen Weiber von Windsor, Musetta La bohème, Popelka in Martinů's Comedy on the Bridge.

Equally at home on the concert platform, her recent appearences include Chausson’s Poème de l'amour et de la mer at Barbican Milton Court under Julian Clayton, Mozart's Requiem with the New Bristol Sinfonia and Wagner's Wesendonk Lieder for the City of London Festival, and further appearances at The Wigmore Hall, Barbican Hall with Martyn Brabbins, BBC National Orchestra of Wales with Thierry Fischer, Royal Albert Hall, Wales Millennium Centre, LSO St. Luke's, Christchurch Spitalfields, St. Martin-in-the-fields, The Draper’s Hall with Bryn Terfel and Schlosstheater Schönbrunn Vienna. Her performances have been broadcast on live cinema relay in Europe and on television and radio for the BBC.

Samantha graduated from the Guildhall School of Music and Drama's Opera Course with Distinction, where she studied with Yvonne Kenny AM as a Baroness de Turckheim Scholar. She is an alumna of both the Britten-Pears and Garsington Opera Young Artist Programmes. 

In 2016 Samantha co-founded the Creative Professionals Network Australia with support from the High Commission and the Australian Music Foundation at Australia House.

Awards

Samantha is the recipient of numerous awards from scholarships and competitions including; First Prize and President's Prize at the Wagner Society Singing Competition, Golden Medal with Honours at the Berliner International Music Competition, J:opera Gesangswettbewerb Sonderpreis Theater Kiel, Australian Music Foundation Young Musician Award, Mozart Singing Competition, Royal Philharmonic Society Chilcott Award finalist, Wagner Stipendienstiftung, The Countess of Munster Musical Trust, Help Musicians UK, The Worshipful Company of Drapers, The Nicholas Boas Charitable Trust and The City of London Corporation.  

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Reviews


Reviews


 

The most impressive was Samantha Crawford, whose fine cut soprano brought singing of class to the role of Mrs. Coyle.

OPERA

 

Reviews

'A flawless ensemble...Samantha Crawford’s Mrs Coyle, crystalline of tone and diction.'

THE ARTS DESK

 

'One comes to events like these listening out for stars of the future, and several of the voices impressed...with Samantha Crawford making the most of her central role as Popelka the village beauty.'

BACHTRACK

 

'Samantha Crawford switched from a classy Rosalinde with cut-glass vowels to the mysterious Hungarian Countess and delivered her csárdás with style.'

OPERA



'Samantha Crawford leads a strong, vividly characterised cast, in a drama piquant of scoring and delicious Czech satire, absurdity and poignancy.'

THE TIMES



'Samantha Crawford elegant, as Coyle’s wife.'

FINANCIAL TIMES

 

'Samantha Crawford charmed in "Schmerzen," and "Einsam in trüben Tagen," before giving herself to a moving and passionate "O Sachs! Mein Freund."...Sir John Tomlinson picked out Crawford's 'radiant' Eva.'

wagner news

 

'Samantha Crawford made a deliciously scheming Countess, her superficialities belying her cunning. “Dove sono i bei momenti” was sensitively executed and a particular highlight of the evening...it was a bold and enjoyable performance, and credit is due both to the production staff and the singers for making it so visually, musically and dramatically exciting.'


BACHTRACK

 

'There are no weak links anywhere in the cast, either, though Ross Ramgobin’s thoughtful Owen, Jonathan Summer’s sympathetic Spencer Coyle, Samantha Crawford’s humane Mrs Coyle and Janis Kelly’s Mrs Julian are particularly notable.'

THE STAGE

 

'The performance was wonderful. Semyon Bychkov gave a concentrated reading which was attentive to the architecture of the work and drew excellent performances from orchestra and choir, and the Blumenmädchen…without doubt, the public recognized that this was a performance of the top international level.'

LA RAZON

 

'Semyon Bychkov drew some electrifying playing from the orchestra of the Teatro Real, which bordered on the transcendental in the final act...With full-blooded singing from the Real’s Chorus and a mellifluous bevy of Blumenmädchen, this was a memorable performance.' 

MUSIC OMH

 

'As Mrs Coyle, Samantha Crawford’s clear, graceful soprano did provide a warm, compassionate counter-hue to her husband’s assertiveness, and Crawford’s characterisation was convincing and rounded.'  

SEEN AND HEARD INTERNATIONAL

 
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Repertoire


Repertoire


 

Repertoire:
Opera

Britten
The Rape of Lucretia
Female Chorus

Britten
Turn of the Screw
Miss Jessel

Britten
A Midsummer
Night’s Dream

Helena

Britten
Owen Wingrave
Mrs Coyle

Bizet
Carmen
Micaela

Janáček
Příhody lišky Bystroušky
Fox

Janáček
Kátya Kabanová
Kátya*

Janáček
Jenůfa
Jenůfa*

Mozart
Idomeneo
Elettra

Mozart
Le nozze di Figaro
Contessa Almaviva

Mozart
Cosi fan tutte
Fiordiligi

Mozart
Don Giovanni
Donna Elvira

Mozart
Die Zauberflöte
Erste Dame

Puccini
Suor Angelica
Suor Angelica

Purcell
Dido and Aeneas
Dido

J. Strauss
Die Fledermaus
Rosalinde

Tchaikovsky
Eugene Onegin
Tatyana

Verdi
Falstaff
Alice Ford*

Verdi
Un ballo in maschera
Amelia*

Verdi
Otello
Desdemona

Wagner
Das Rheingold
Freia*
Woglinde

Wagner
Die Walküre
Helmwige
Gerhilde

Wagner
Lohengrin
Elsa*

Wagner
Parsifal
Blumenmädchen (4)

Wagner
Die Meistersinger
von Nüremburg

Eva*

Weber
Der Freischütz
Agathe

*in preparation

 

Repertoire:
Concert

Berg
Sieben frühe Lieder

Chausson
Poème de l'amour
et de la mer

Dvořák
Stabat Mater

Debussy
Cinq poèmes de
Charles Baudelaire

Elgar
Spirit of England

Mendelssohn
Elias

Mendelssohn
Paulus

Mozart
Requiem

Rossini
La Petite Messe
Solennelle

Rutter
Requiem

Strauss
Vier Letzte Lieder

Tippett
A Child Of Our Time

Vaughan Williams
Serenade to Music

Verdi
Reqiuem

Wagner
Wesendonk Lieder